Jacques Ibanez ts808 page

Mobile friendly. Photo on the left is reproduced with kind permission of Stuart McDaniel. According to pedal-geek lore, Vaughan was a big fan of the TS version of the Ibanez Tube Screamer, but evidence in the form of stage photos, live videos, insurance documents and customs declarations reveal that the TS9 version of the Tube Screamer was his preferred choice from through most of the Eighties. Vaughan usually used his TS9 to provide a clean boost to his Fender Vibroverbs for solos, with the level control all the way up and the drive control set to relatively low gain. Similar to a Leslie Model 16, the Fender Vibratone is designed for gigging guitarists and features a rugged, roadworthy cabinet covered in black Tolex. More importantly, the Vibratone is also designed for use with a standard guitar amp and features a guitar speaker that emphasizes crucial midrange tones instead of the full-range, two-way woofer and tweeter speaker array found in most Leslie cabinets. Fender sold the Vibratone from through , and it is still considered one of the best true rotating speaker effects for guitarists. Stevie’s wah pedal was the Vox V that originated from the Sixties and had originally belonged to Jimi Hendrix. Stevie also owned several other Vox wah pedals and was apparently very fond of an early Seventies version with a Japanese TDK inductor.

Ibanez Distortion Pedals

Post a Comment. The most popular use of a tube screamer is to push a tube amp to make it overdrive more, but they sound good through almost anything. It was preceded by the Orange “Overdrive” and green “Overdrive-II” which came in narrower boxes without the battery cover, and the reddish “Overdrive-II” which had a box very similar to the TS The lighter green OD Overdrive-II is also in the TS style box and has a circuit which is similar to the – the board part numbers only differ by one digit.

The overdrive and OD-II had a different, much more distorted, fuzzy circuit.

The TS10 had three times as many changes to the circuit than the TS9 had had. Some TS10 pedals were made in Taiwan, using a MC chip. All TS10s (as.

Ibanez FL-9 – Flanger pedal with orig. Box Ibanez FL-9 Flanger Ibanez AF – Auto Filter. Ibanez PT-9 – Analog Phaser pedal. Ibanez FL-9 – Vintage Flanger pedal. We found Ibanez IFC60 Midi-controler. Ibanez AD – Analog Delay. Ibanez Multi-Effects UE Ibanez Multi-Effects UE early version with black floorboard Ibanez EC Shark Distortion.

1997 Custom Audio Electronics Backup Build

For many of us, when we see a green pedal, we immediately think of an overdrive. And not without reason. The green pedal is one of the most iconic overdrives out there, and it comes in many forms. This article is an attempt att describing the various forms it has taken over the years, from its humble beginnings to present day.

UPC is associated with product Ibanez Ts10 Guitar Effects Product prices are accurate as of the date/time indicated and are subject to change.

Tone Tuesday Gear Index. Account Sign In Register. Read Testimonials Read what our members have to say about the Locals. Performances Solos and performances from our courses. Contact Contact Anthony for non-support related topics. Gear Index. Two Notes Audio Torpedo C. Mad Professor Little Tweedy Drive. PRS S2 Standard Two Notes Torpedo Captor X.

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John Mayer’s 2019 pedalboard has been revealed

The first two secrets to Stevie’s tone are his soul and hands, so you are defeated before you begin in your quest for his tone. For those who are interested, the following is the best I can do for you in answering gear questions. If you have reliable information which should be added here, feel free to send me the information with appropriate credit.

DO NOT ask me gear questions. I am not a gear nut, and some of what is on this page I don’t understand.

Date · Region, Description, Price · Seller. 08/27/20, EU, Very good vintage condition with minor cosmetic imperfections only. Te $, View.

He would use that guitar as his main until around During this same time, Mayer also started using a vintage early Stratocaster in sunburst, which eventually became his favorite guitar, and the one he still regularly uses nowadays. Together with Paul Reed Smith, he designed his first signature model, the Super Eagle, which he used extensively with the Grateful Dead.

This second model was based heavily on the Fender Stratocaster but featured significant design and spec changes. Regarding amps, John went through a few different phases in his career. In the mids he began using Two Rock amps almost exclusively. Lastly, more recently in , he began performing with few different PRS amps. John also has a pretty big collection of acoustic guitars. John was first seen using this guitar sometime in the summer of The guitar likely directly replaced the black Squier that John played prior to this.

John acquired this Stevie Ray Vaughan Signature Stratocaster in , trading it for a Takamine string acoustic and a Mesa Boogie distortion pedal, and paying the difference from the money he made working at a gas station. He used the guitar for bedroom practice in the early years, and during the two semesters spent at […].

Dating ibanez pedals

Yes No. OK Cancel. Ibanez serial numbers are unique identifiers placed on instruments sold under the Ibanez brand.

For greater savings check out our Used Ensoniq TS10 Synthesizer and get a great deal today!

When we talk about choice of good guitar tones , it usually went from Fender twin clean to fuzz face in a Marshall amp, while these options were way too expensive for teenagers. Even in our favourite records , that creamy tone we all know and like now, was totally absent. Of course, it was always possible to roll-off our guitar volume knob when engaged in a fuzz pedal to obtain something more coherent for rhythm—and then of course go full volume for fire-breathing solo.

As far as I can remember, the first time I heard this tone was from a Stevie Ray Vaughan track and it changed everything. While Boss OD-1 was already there when the Ibanez ts came out, it somehow flew under the radar. Another thing is that our beloved fuzz pedals was not that great on cheap transistor amps, with maybe the exception of the Electro-harmonix big muff, a class of its own. So when we first tried a tubescreamer on our band Emthree w tranny amp, it was kind of a revelation: it was just like we eventually got a good amp for almost free.

This was so good , I had to KNOW why and how those Japanese engineers have succeeded in that miracle, as I was already building fuzz pedals for my fellow guitar players at that time. Intense scrutiny gave me the secret : two diodes in the feedback loop of an opamp! Believe me at that time opamps were close to the electronics state-of-the-art , and while two diodes head-to-tail was not really new, the arrangement was ground-breaking. From this mythical times , I have been working on my own version, leading me to the fierce Overtube.

But the original green Grail have been cherished all these years, and still part of my pedal collection at the best place. For a long time, that question was utterly useless : there were only originals , they were cheap, and the reissue trend was not yet even on my mind of marketing executives : they only changed the models and the pedal became ts9, ts10 ts5 and ts7.

Ibanez Tube Screamer TS10 Vintage Rare Effector pedal ( KU KC )

Forgot your password? By Bruno , October 28, in Effects and Processors. I thought that someone had posted a link to a site that you could enter the serial numbers and it would give you the month on year that the pedal was made. I recently added some about some pedals that seemed like reissues but were from the 80s, check it out. You can post now and register later.

getting. ’80s JRC chips has a four-digit date code in the lower right-hand corner, TS and TS-9, both have an IC socket and metal film resistors for the

A video on the CAE website, while grainy, gives some pretty interesting insight in to what tone-shaping tools Trey had access to in that era. And, if you look closely, there are some Tube Screamer and Ross Compressor settings to be gleaned. Details below. The photo below is a rare look at the fully labeled RS in the s.

Presumably Trey was still using the second rack for effects that he used in Summer That would explain the absence of a tuner, as well. Verb and Vibe presumably control the Peavey Valverb. Rev, Vast, and Full refer to the three reverb units and the sounds they deliver. You are commenting using your WordPress. You are commenting using your Google account. You are commenting using your Twitter account.

Ibanez TS10 Tubescreamer Classic Made in Japan (How does it sound?)